Gyeongbokgung Palace

Every visit to Gyeongbokgung Palace starts with a little preparation. While admission is simple, weather, timing, and crowds can shape the experience. Early mornings often bring fewer visitors and softer light for photography, especially in spring and autumn. The palace sits at the northern edge of Seoul’s central district, easily reachable by subway or bus, making day trips from anywhere in the city convenient. Expect queues for tickets during peak weekends or festival days, and keep in mind that major restoration projects occasionally close certain areas.

• Best time to visit: Late March–May and September–November; mornings or on weekdays for thinner crowds
• How to get there: Take Subway Line 3 to Gyeongbokgung Station (Exit 5) or buses stopping at Gwanghwamun Plaza
• Accessibility: Main paths are stroller-and wheelchair-friendly, with ramps at key entries; family restrooms available
• Average visit duration: 2–3 hours for major sights; plan extra time for museums or guided tours

Home to Joseon Dynasty kings, Gyeongbokgung Palace dazzles with sprawling courtyards, elegant pavilions, and vibrant traditional art. Crowd favorites—the main throne hall and lotus-filled ponds—share the stage with tucked-away gardens and museum galleries. Changing of the guard ceremonies, held at the Grand Gwanghwamun Gate, mix costumed ritual with lively drumbeats, drawing both locals and travelers.

• Main sights: Geunjeongjeon Hall (throne room), Gyeonghoeru Pavilion (lake pavilion), Hyangwonjeong Pavilion (island pagoda), and the wide Heungnyemun Gate
• Unique experiences: Rent a hanbok (traditional costume) for free entry and photos, enjoy the Changing of the Guard Ceremony (several times daily), and explore the National Folk Museum on palace grounds
• Photo-worthy spots: Gyeonghoeru’s mirrored reflection, red-and-green painted corridors, flowering trees in spring
• Historical notes: Built in 1395, the palace faced destruction in the Imjin War and Japanese Occupation; restoration began in the 20th century, making some halls replicas of originals